Voice Pedagogy Institute . Fact- based teaching with practical applications of voice anatomy/physiology and acoustics, vocal health with a Performing Arts Medicine laryngologist, Music Theater techniques, Yoga. Passionate about performance, teaching, or helping others? Love orchestra, opera, chamber music, or jazz? Want to compose, arrange, or transcribe music? Alternative Spring Break; Amy Porter's Anatomy of Sound Flute Workshop; ArcStart; Band Conducting and Pedagogy Workshop; BFA Preview; Biological Station (UMBS) Summer. The University of South Carolina School of Music transforms lives through excellence in music teaching, performance, creative activities, research and service. The Center for Urban Pedagogy (CUP) is a nonprofit organization that uses the power of design and art to increase meaningful civic engagement. Samford offers over 25 masters programs tailored to fit the needs of all of our post-graduate students. Learn more about our graduate programs. Voice, interactive lessons with master teachers, and hands- on use of the Presser Voice Lab are all part of this fascinating week. Join us if you desire a more complete understanding of voice pedagogy, a more confident approach to voice science, and more experience with voice technology. July 2. 5 . Kathy Kessler Price, Director and instructor. Jonathan Price, Assistant to the director. Dr. Christopher Arneson, Guest instructor. Dr. Lucinda Halstead, laryngologist and specialist in Performing Arts Medicine at the University of South Carolina Medical Center and ENT for the Spoleto Festival in Charleston. Mark Moliterno, Adjunct Associate Professor, Westminster Choir College. Stephen Purdy, Guest Instructor for Music Theater. Sharon Sweet, Professor of Voice, Westminster Choir College. Session Topics. Voice Pedagogy - The Worlds of Anatomy/Physiology/Acoustics. Interactive lessons with Master Teachers. Yoga. Voice. Vocal Health. Programs National Workshops. The National Association of Teachers of Singing holds workshops twice per year in non-conference years and once per year when a. Check out Oakland University’s admissions sites for application guidelines, academic programs and information on how to pay for your education. Each summer middle and high school students from across the nation come to Westminster for an extraordinary learning experience. Working with Westminster’s renowned. University of Central Oklahoma The Jackson College of Graduate Studies. Future Students; Current Students; Parents; Faculty and Staff; Alumni and Friends. A focused, one-week, intensive program for trained singers who are or wish to become voice teachers, and for voice coaches. Fact-based teaching with practical. Contemporary Commercial Music Techniques: Ins and Outs of Music Theater and Other Popular Genres. The Aging Voice - Both yours and your students! Master Classes. Access to the Presser Voice Lab. Tuition $8. 25 non- credit/$1. Faculty Bios. Kathy Kessler Price, soprano (M. M., Ph. D.), teaches graduate vocal pedagogy courses and applied voice, and directs the Presser Voice Laboratory at Westminster. She previously served as Voice Area Coordinator and Assistant Professor of Music at Mississippi State University and taught voice/vocal pedagogy and coordinated the School of Music Vocology Laboratory at The University of Kansas. She also worked as an intern in Clinical Voice Assessment at the University of Kansas Medical Center. Price has taught voice and diction at William Jewell College in Missouri and at Northern Virginia Community College (Alexandria Campus) where she was also the choral director. She has offered private voice instruction in Kansas City (Missouri), and in Vienna and Mc. Lean, Virginia, is a founding member of the Washington Vocal Consortium, and conducts the acclaimed D. C. Arneson is the co- director of the Co. OPERAtive Program, a young artist program for singers, held at Westminster Choir College. Dr. Mark Moliterno is an artist/educator who enjoys an extensive performing career in Opera, Oratorio, and Concert singing. He has appeared throughout the United Stated, Canada, Great Britain and the Far East in leading operatic roles and is a frequent soloist on the concert stage in a repertoire that covers a wide range of eras and composers. He has appeared in Carnegie Hall as bass- baritone soloist with the Masterwork Chorus and Orchestra in H. He has twice appeared on the New York Philharmonic Chamber Music Series in Merkin Concert Hall, singing Samuel Barber. Known for his compelling and artistic recital singing, Mr Moliterno sang the world premiere of Drum Taps, a song cycle by American composer Richard Pearson Thomas at Carnegie Hall. He is heard regularly as a recitalist and concert soloist in the New York/Philadelphia area. Westminster Office of Continuing Education.
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